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<article>

    <title>From Heritage to Design: Pattern Extraction and Landscape Interpretation of the Alaca (Painted) Mosque, Tetovo, North Macedonia</title>

    <slug>from-heritage-to-design-pattern-extraction-and-landscape-interpretation-of-the-alaca-painted-mosque-tetovo-north-macedonia</slug>

    
            <parent>
            <title>Volume 6, Issue 1</title>
        </parent>
    
    
            <post_type>
            <title>ARTICLES</title>
        </post_type>
    
    	
	
	<year>2026</year>

    
	<volume>6</volume>
	
    
    <content><![CDATA[<p><span class="fontstyle0">This study is focused on cultural heritage and how it can influence the contemporary spatial design through a design oriented educational workshop focused on the Alaca Mosque in Tetovo, North Macedonia. The research aims to analyze the historical development, visual identity, and ornamental language of the mosque and to translate these findings into landscape design proposal for its surrounding urban context. The methodology consists of historical review of the mosque, analytical documentation of architectural details and ornamentation, extraction of geometric and floral patterns, and their reinterpretation into contemporary design elements. The analytical focus includes detailed research of the decorative elements of the mosque, based on the site observation and the literature review – its geometry, rhythm, color palette, texture, and proportional relationships—which served as the conceptual base for the further design translation process. The outcome of the whole process is a landscape concept along nearby river and public park, inspired from patterns found in the mosque, that reflects the symbolic meaning. At the same time, the landscape proposal addresses current spatial needs. By demonstrating how architectural identity from historical structures can be systematically decoded and reinterpreted into modern urban landscape interventions, this research contributes to the field of heritage-based design. Using a simple workshop-based methodology, the study also emphasizes the educational value of engaging students in analyses of cultural heritage as a tool for developing culturally responsive design thinking.</span></p>]]></content>

    
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<p> </p>
<p><span class="fontstyle0">Ayverdi, E. H. (1981). </span><span class="fontstyle2">Avrupa’da Osmanlı mimari eserleri: Yugoslavya </span><span class="fontstyle0">[Ottoman architectural works in Europe: Yugoslavia] (Vol. 3, Book 3). Istanbul, Türkiye: Fetih Cemiyeti Yayınları.</span></p>
<p> </p>
<p><span class="fontstyle0">Demirarslan, D. (2016). </span><span class="fontstyle2">Wall painting art in 19th-century Ottoman religious architecture: The Kalkandelen Alaca Mosque example </span><span class="fontstyle0">[Master’s thesis, Unpublished]. Kocaeli University, Faculty of Architecture and Design, Türkiye.</span></p>
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<p><span class="fontstyle0">Durgut, İ. &amp; Akalın, A. (2022). Ornament in architecture: Symbol and representation. </span><span class="fontstyle2">DEPARCH Journal of Design, Planning and Aesthetics Research, 1</span><span class="fontstyle0">(1), 27–38. https://doi.org/10.55755/ DepArch.2022.2</span></p>
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<p><span class="fontstyle0">Ibrahimgil, M. Z. (1997). Kalkandelen (Tetovo) Alaca-Pasha Mosque. </span><span class="fontstyle2">Vakıflar Dergisi, 26</span><span class="fontstyle0">. Vakıflar Genel Müdürlüğü Yayınları.</span></p>
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<p><span class="fontstyle0">Khazene, Z. &amp; Bensliman, D. (2024). The role of heritage in emphasizing the features of cultural identity: The water springs in the Kasbah of Algiers as a case study. </span><span class="fontstyle2">Journal for Educators, Teachers and Trainers, 15</span><span class="fontstyle0">(5), 271–284.</span></p>
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<p><span class="fontstyle0">Kuipers, M. C., de Jonge, W. (2017). </span><span class="fontstyle2">Designing from heritage: Strategies for conservation and conversion</span><span class="fontstyle0">. TU Delft, Heritage &amp; Values.</span></p>
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<p><span class="fontstyle0">Kumbaradži, B., Zdravković, I., &amp; Mujezinović, M. (1998). </span><span class="fontstyle2">Ottoman architecture in Yugoslavia</span><span class="fontstyle0">. Belgrade: Federal Institute for the Protection of Cultural Monuments.</span></p>
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<p><span class="fontstyle0">Lewis, B. (1979). </span><span class="fontstyle2">Svijet islama </span><span class="fontstyle0">[The world of Islam]. Jugoslovenska revija; Vuk Karadžić.</span></p>
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<p><span class="fontstyle0">Mediu-Dushi, H. (2010). </span><span class="fontstyle2">Pollogu – thesar i kulturës shqiptare </span><span class="fontstyle0">[Polog: A treasure of Albanian culture]. Çabej.</span></p>
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<p><span class="fontstyle0">Mustafa, F. A. &amp; Hassan, A. S. (2013). Mosque layout design: An analytical study of mosque layouts in the early Ottoman period. </span><span class="fontstyle2">Frontiers of Architectural Research, 2</span><span class="fontstyle0">(4), 445–456. https://doi.org/10.1016/j.foar.2013.08.005</span></p>
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<p><span class="fontstyle0">Pavlov, Z. (2009). </span><span class="fontstyle2">Macedonian cultural heritage: Ottoman monuments</span><span class="fontstyle0">. Cultural Heritage Protection Office.</span></p>
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<p><span class="fontstyle0">Ramani Murseli, R. (2022). The implication of culture in the architecture of historical buildings in the city of Tetovo. </span><span class="fontstyle2">Journal of Applied Sciences – SUT, 8</span><span class="fontstyle0">(15–16), 209–214.</span></p>
<p> </p>
<p><span class="fontstyle0">Shehapi, B. (2002). </span><span class="fontstyle2">Plagët e pavdekshmërisë </span><span class="fontstyle0">[The wounds of immortality]. Bashkësia Islame në Republikën e Maqedonisë, Sektori për shkencë dhe kulturë.</span></p>]]></references>
    
            <keywords>Heritage, patterns, landscape interpretation, Alaca Mosque</keywords>
    
    <date></date>

    <url>https://ijtns.ibupress.com/articles/from-heritage-to-design-pattern-extraction-and-landscape-interpretation-of-the-alaca-painted-mosque-tetovo-north-macedonia</url>

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